Alphabet, oeuvres de Foscarini, Pellegrini, Granata, Corbetta 17 tracks - MP3 192 - RAR 120 Mb - Covers + Booklet
Lislevand Rolf, baroque guitar & direction
Arianna Savall, harpe & voice
Thor-Harald Johnsen, guitar "battente"
Eduardo Eguez, chitarriglia & guitar "battente"
Bjørn Kjellemyr, colascione
Paolo Pandolfo, viola da gamba soprano
Michael Behringer, positive organ & clavichord
Pedro Estevan, percussion
Together Kapsberger
2001 Astree / Naive
Ultimately the true or historical interpretation is another musical aesthetic vision.
is another approach that can and should be as valid as Furtwängler or Menuhin playing a Brandenburg Concerto. And with this album I intend to try to explain my point of view. Today
shifts to one side the old school installation boot Central European conductors, labeled an "experiment" or more benignly of "romantic." There is talk that held no historical instruments or having them applied to other techniques, which were oversized orchestras, the rubato, vibrato, and so on. It is mentioned almost as a sin that this was the proper vision Klemperer, Beecham. As if Pluhar, McCreesh, Haim, Rousset and others lacked "vision" and created from an almost angelic supported by objective scholars, luthiers, manuscripts and, no less-a record market that has proved extremely cozy with the revolutionaries of yesterday brought new music and new auditors / buyers to a difficult market.
Well gentlemen, objectivity is so scarce and perhaps impossible in the areas of sensitivity as anyone.
is to provide a truly inclusive at the end I feel very proud, and I think that our ancestors deserve more respect.
And what could all this have to do with the disc located? No one can argue
scrolls Lislevand Rolf HIP, or those who accompany him on this occasion (including the formidable Eguez), no one will doubt the intense study and preparation of historical sources that the Norwegian guitarist puts into every project, no not stop paying attention to his guitar seventeenth century Italian model. However, it suggests Lislevand in a moment of clarity and humility in the liner notes, but the melody can be derived from reading the manuscripts, harmony and rhythm must necessarily come from contemporary sources or other works. And this introduces an element of discretion so that our equation of authenticity, objectivity, goes a little horn.
And we are left then with the vision of Lislevand.
Because ultimately your choice of raw rhythms, accents and harmonies.
Music is an aural experience, and unless someone able to discover a gap in the space-time, we never hear Kapsberger be given to Marais and his cat-gut strings, or the anonymous musicians who played the Roman Fauvel.
Lislevand Let it tell us: "The Written words of poetry Are poetry, and painted forms and colors Are painting, pero musical notation is Not the music, and alone Can not Testify to the experience of music. The Further back we go from Our Own time, the We Can Rely less on musical notation to tell us about the music itself ".
If it does not follow then work with its own approach to approach this repertoire, then I lost it.
If it sounds a bit rough, the music is good or bad. Generates sensations in your ear or not, and that is independent of labels, schools, luthiers or so.
And here, with alphabetically, we have an outstanding example. In good.
is another approach that can and should be as valid as Furtwängler or Menuhin playing a Brandenburg Concerto. And with this album I intend to try to explain my point of view. Today
shifts to one side the old school installation boot Central European conductors, labeled an "experiment" or more benignly of "romantic." There is talk that held no historical instruments or having them applied to other techniques, which were oversized orchestras, the rubato, vibrato, and so on. It is mentioned almost as a sin that this was the proper vision Klemperer, Beecham. As if Pluhar, McCreesh, Haim, Rousset and others lacked "vision" and created from an almost angelic supported by objective scholars, luthiers, manuscripts and, no less-a record market that has proved extremely cozy with the revolutionaries of yesterday brought new music and new auditors / buyers to a difficult market.
Well gentlemen, objectivity is so scarce and perhaps impossible in the areas of sensitivity as anyone.
is to provide a truly inclusive at the end I feel very proud, and I think that our ancestors deserve more respect.
And what could all this have to do with the disc located? No one can argue
scrolls Lislevand Rolf HIP, or those who accompany him on this occasion (including the formidable Eguez), no one will doubt the intense study and preparation of historical sources that the Norwegian guitarist puts into every project, no not stop paying attention to his guitar seventeenth century Italian model. However, it suggests Lislevand in a moment of clarity and humility in the liner notes, but the melody can be derived from reading the manuscripts, harmony and rhythm must necessarily come from contemporary sources or other works. And this introduces an element of discretion so that our equation of authenticity, objectivity, goes a little horn.
And we are left then with the vision of Lislevand.
Because ultimately your choice of raw rhythms, accents and harmonies.
Music is an aural experience, and unless someone able to discover a gap in the space-time, we never hear Kapsberger be given to Marais and his cat-gut strings, or the anonymous musicians who played the Roman Fauvel.
Lislevand Let it tell us: "The Written words of poetry Are poetry, and painted forms and colors Are painting, pero musical notation is Not the music, and alone Can not Testify to the experience of music. The Further back we go from Our Own time, the We Can Rely less on musical notation to tell us about the music itself ".
If it does not follow then work with its own approach to approach this repertoire, then I lost it.
If it sounds a bit rough, the music is good or bad. Generates sensations in your ear or not, and that is independent of labels, schools, luthiers or so.
And here, with alphabetically, we have an outstanding example. In good.
0 comments:
Post a Comment