Improvise. The Jazz of the sixteenth century 15 tracks - MP3 192 - RAR 107 Mb - Covers
Paolo Pandolfo, viola da gamba
Guido Morini, harpsichord & body
Thomas Boysen, vihuela, theorbo &
Andrea De Carlo, violone
Álvaro Garrido, percusion
Céline Scheen, soprano
Marie Gelis, organ or
2005 Glossa
Talking once with my friend Steven told me that the Bach Cello Suites recorded by Pandolfo, viola da gamba in-were nine musicians and such. In interpreting a work known in other means other than which it was intended would take on the musician, also a creative role.
few years after this recording, which set a milestone, the most surprising violagambista New Music. And I could hear old music, I started to feel very comfortable with this new thing.
course, this time opting for the new is more emphatic. Well, not talking about speed here, but a phenomenon that is delicate and exquisite.
Based on the attitude towards the music of performers 400 years ago-that is, musicians who were faced with a sketch and annotated, so varied, Pandolfo and his friends rush to improvise.
not sound like anything new, but it is. In the world of classical music improvisation, if not nonexistent, is extremely rare. But it makes sense when its practitioners are musicians dedicated to the renaissance and baroque, who operate on the logic that already mentioned. What makes this company a strange sound you hear is how this music: it looks like written music. This album
is the result of a powerful mind and a sensitivity as that of Paolo Pandolfo, a jazz bass 30 years ago entered the Early Music Schola Cantorum Basiliensis via and via Jordi Savall, in fact he took his chair at the Swiss school. After that would come years with è Hesp rion XX and a solo career characterized by adventure and rigor. His statement that characterized most in my view, is the one that says that the viola da gamba is not an historical instrument tied to the music of three centuries ago.
I love that. And this disc. Find when a wound tenderness, laughter in the woods King, birds, dance, percussion, and other powerful episodes very vehement. Everything here is beautiful. Emotion.
internet circulates in an interview Pandolfo which reflects on the process of creating this Improvising and mentioned how inspired by Plato and his discussion of the preponderance of written and spoken word, preferring the latter, as opposed to XXI century thought, which relies heavily on the wisdom filed. What better statement of principles. Improvise
here is not only launched and now, is more the reflection born of something that is understood very deeply. And why not, if the sketches used to create are old friends as La Spagna , Douce Memoire , Las Vacas, La Folia and others. Old lovers who have supported us since the beginning of this musical renaissance thirty years ago, we, the fans, and also to them, musicians.
feel that this phenomenon of Ancient Music, but faces a stagnation-natural "has both a coming-of- age, maturity in many ways. And this album is a manifestation of that maturity. I could also mention the rock-star character of Jaroussky, or the raid (criticism) of a bel canto as Handel Villazon on land, by name a couple of very prominent manifestations (frivolous?).
like someone was devoted today to create poetry in dead languages, metric and rhythmic occupying forgotten Pandolfo opens a window that fills you with fresh air.
few years after this recording, which set a milestone, the most surprising violagambista New Music. And I could hear old music, I started to feel very comfortable with this new thing.
course, this time opting for the new is more emphatic. Well, not talking about speed here, but a phenomenon that is delicate and exquisite.
Based on the attitude towards the music of performers 400 years ago-that is, musicians who were faced with a sketch and annotated, so varied, Pandolfo and his friends rush to improvise.
not sound like anything new, but it is. In the world of classical music improvisation, if not nonexistent, is extremely rare. But it makes sense when its practitioners are musicians dedicated to the renaissance and baroque, who operate on the logic that already mentioned. What makes this company a strange sound you hear is how this music: it looks like written music. This album
is the result of a powerful mind and a sensitivity as that of Paolo Pandolfo, a jazz bass 30 years ago entered the Early Music Schola Cantorum Basiliensis via and via Jordi Savall, in fact he took his chair at the Swiss school. After that would come years with è Hesp rion XX and a solo career characterized by adventure and rigor. His statement that characterized most in my view, is the one that says that the viola da gamba is not an historical instrument tied to the music of three centuries ago.
I love that. And this disc. Find when a wound tenderness, laughter in the woods King, birds, dance, percussion, and other powerful episodes very vehement. Everything here is beautiful. Emotion.
internet circulates in an interview Pandolfo which reflects on the process of creating this Improvising and mentioned how inspired by Plato and his discussion of the preponderance of written and spoken word, preferring the latter, as opposed to XXI century thought, which relies heavily on the wisdom filed. What better statement of principles. Improvise
here is not only launched and now, is more the reflection born of something that is understood very deeply. And why not, if the sketches used to create are old friends as La Spagna , Douce Memoire , Las Vacas, La Folia and others. Old lovers who have supported us since the beginning of this musical renaissance thirty years ago, we, the fans, and also to them, musicians.
feel that this phenomenon of Ancient Music, but faces a stagnation-natural "has both a coming-of- age, maturity in many ways. And this album is a manifestation of that maturity. I could also mention the rock-star character of Jaroussky, or the raid (criticism) of a bel canto as Handel Villazon on land, by name a couple of very prominent manifestations (frivolous?).
like someone was devoted today to create poetry in dead languages, metric and rhythmic occupying forgotten Pandolfo opens a window that fills you with fresh air.
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